Lions, Dashboards, and Calculators (Oh My!)

This summer, Apple is planning to release their next iteration of Mac OS X, 10.7 (codenamed “Lion”). From the looks of things, their primary focus this time around is interface improvements to make the user experience more fluid and effective. In general, I’m liking what I’ve been seeing, though looking at the system requirements that have been coming out suggests that I’ll be on the hairy edge of being able to run it at all (a Core 2 Duo or higher is required, of which I’m running the first Core 2 Duo Macbook Pro they offered), so I’m not sure how much real benefit I’ll be seeing in the near future. That said, one of the design changes they’re making seems like a horrible idea: they’re moving the Dashboard into its own space, rather than continuing to work as an overlay over whatever screen you’re on.

Given that the dashboard is for quick-reach, simple widgets, this seems remarkably backwards, and more like something you’d do to get people to not use it so it can be phased out of a later release. Think about it for a second: widgets are meant to show information at a glance, i.e. without significantly interfering or distracting the user from their task at hand. While several widgets seem like simply a bad idea to be shoved into their own space, there are a few that will have their usefulness significantly reduced, most notably the calculator.

To be clear, the dashboard calculator is not especially robust. It has no history or “tape”, no special functions, just your basic arithmetic. About the extent of its bells and whistles is that it accepts numeric input instead of being forced to use the buttons. But you know what? That’s the point. It’s a simple calculator for when you want to run some numbers really quickly, without interfering with the rest of your workflow. More often than not, these numbers will be pulled off a website or email, or chat. You aren’t particularly invested in running the numbers, you just want to check them really quickly. This, specifically, is the value of the dashboard calculator: just pull up the dashboard, and you can punch in the numbers, which are still visible, into the calculator for a quick total, without going through the process of loading up a separate application. I don’t want to have to constantly page back and forth between two screens just to run a quick number check. At that point, why not just use the actual Calculator app?

I doubt I’ll ever know, but I would love to find who made this particular design decision and ask them what on earth they were thinking.

It’s Been So Long Since We Had a Parade

[Including the lyrics on this one, because they are important.]

Dear brothers and sisters,
Dear enemies and friends,
Why are we all so alone here?
All we need is a little more hope, a little more joy;
All we need is a little more light, a little less weight, a little more freedom.
If we were an army, and if we believed that we were an army,
And we believed that everyone was scared like little lost children in their grown up clothes and poses,
So we ended up alone here floating through long wasted days, or great tribulations.
While everything felt wrong.
Good words, strong words, words that could’ve moved mountains!
Words that no one ever said.
We were all waiting to hear those words and no one ever said them.
And the tactics never hatched,
And the plans were never mapped,
And we all learned not to believe.
And strange lonesome monsters loafed through the hills wondering why…
And it is best to never ever ever ever ever ever ever ever ever ever wonder why.
So tangle – oh tangle us up in bright red ribbons!
Let’s have a parade.
It’s been so long since we had a parade, so let’s have a parade!
Let’s invite all our friends
And all our friends’ friends!
Let’s promenade down the boulevards with terrific pride and light in our eyes
Twelve feet tall and staggering
Sick with joy with the angels there and light in our eyes
Brothers and sisters, hope still waits in the wings like a bitter spinster
Impatient, lonely and shivering, waiting to build her glorious fires
It’s because of our plans man; our beautiful ridiculous plans
Let’s launch them like careening jetplanes
Let’s crash all our planes in the river
Let’s build strange and radiant machines at this jericho waiting to fall.
Thee Silver Mt Zion, “Built then Burnt (Hurrah! Hurrah!)”

Living in Interesting Times

Those of you who are inclined to worry have the widest selection in history. Mark Twain

Actually, I’m not sure if Twain really said that — checking on various Twain quote collections, I don’t see it listed. Most references on Google are actually from a bit from Utah Phillips. Regardless, it remains spot on, and relevant for today. Radical extremism all over the world (including the U.S., very much so), riots and wars and revolution in multiple major countries as we speak, oppression insinuating itself in our lives (usually under the guise of being in our best interests, which is also usually wildly untrue). My heart and best wishes go out to those caught in the fighting.

It sort of puts in perspective the sort of worrying I have — do I stick with the job I’m in, or do I look for other work (which has a very high likelihood of meaning moving elsewhere), or do I go to grad school this fall (nigh certainty of moving elsewhere), and what does that mean for me personally, as well as those I’m close to (a number of friends here, as well as my brother and Jessica). Life will go on, and I’m fairly sure it wouldn’t be the end of the world for anyone, but it’s still concerning. It’d be a lot easier if there was a clear “correct” choice. But there isn’t. They all have benefits, they all have drawbacks. And I’m not really getting any sort of direction or draw from any source.

New Year, 2011

May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you’re wonderful, and don’t forget to make some art — write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself. — Neil Gaiman

Mr. Gaiman certainly has a knack for stating things well.

Emotional Communication

There is no language I know of that exists today that is able to truly convey our emotions, our inner needs. The scope just isn’t there — the best we can do is approximate it. We have words that are supposed to convey meaning, but even then, exactly what meaning is so fluid and amorphous, the true intent and meaning is lost in translation. Think about some of the biggest emotions in our lives. Think about love for a moment. “I love you.” “I love this television show.” “I love this song.” “I love my family.” There are so many valid contexts for the verb “to love.” As far as language is concerned, they are all valid, and we treat them as such socially. But the emotions underneath vary wildly. As human beings, we try to pick up on this additional nuance and emotional intent through body language, through situational awareness, the timbre of the voice, the tension of the moment. All of which rests on the hope that those around us are observant enough to notice, and aware enough to interpret these signals correctly. This is frightening, that so much of our emotional communication and well-being is reliant on others’ ability to perceive our comments in the way we intend. Given that, it is unsurprising that so many people feel isolated and alone.

Which brings us to another tool we have to try and communicate: if language does not have the tools to describe an emotion directly (not in a meaningful way, anyway), then it can at least describe them indirectly. Think about music, or books, or film, or photographs, or paintings, or any number of forms of art. The classic question of “What is art?” is easily defined to me: work intended to convey an emotional or personal response to someone. It’s an imperfect tool — there will inevitably be a lot of people who don’t “get” it. It’s not a fault of the artist, or of the viewer — they simply lack the shared context to invoke a response. A photograph of a weathered fence post in a field may not speak to some, but for others it can invoke a personal memory of visiting their grandparents on the farm, or strike a chord more metaphorically, describing for a moment the feeling of isolation that the viewer may be feeling or have felt. Put simply: art describes emotions.

Personally, I tend to draw from media sources to describe a range of emotions and personal thoughts pretty often. I’ve been doing so all week with video clips and songs and quotes, and this is hardly the first time, and I’m not remotely the only one — for every random silly link blog of goofy stuff out on the web, there is also a curated blog of someone trying to point at something in the hopes of getting their message across, and communicate something they feel is important to those around them. I post videos and quotes and songs and images to create a pastiche of who I am and how I’m feeling. (I’d be interested to see what interpretations people draw from the entries posted this past week.) Of course, I’m always afraid that I’m a bit of a Hector the Collector character when I do so, but if even one person gets and appreciates what’s shared, it’s worth it.

Controlled Information

When any government, or any church for that matter, undertakes to say to its subjects, “This you may not read, this you must not see, this you are forbidden to know,” the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man whose mind has been hoodwinked; contrariwise, no amount of force can control a free man, a man whose mind is free. No, not the rack, not fission bombs, not anything — you can’t conquer a free man; the most you can do is kill him. —Robert A. Heinlein, “If This Goes On”

To further this notion, check out this commentary on the difference between 1984 and Brave New World.

We All Need Someone to Look at Us.

It’s an astute observation, though some of the context of his examples is lost without the rest of the book.

We all need someone to look at us. We can be divided into four categories to the kind of look we wish to live under.

The first category longs for the look of an infinite number of anonymous eyes, in other words for the look of the public. That is the case with the German singer, the American actress, and even the tall, stooped editor with the big chin. He was accustomed to his readers, and when one day the Russians banned his newspaper, he had the feeling that that atmosphere was suddenly a hundred times thinner. Nothing could replace the look of unknown eyes. He thought he would suffocate. Then one day he realized that he was constantly being followed, bugged, and surreptitiously photographed in the street. Suddenly he had anonymous eyes on him and he could breathe again! He began making theatrical speeches to the microphones in his wall. In the police, he had found his lost public.

The second category is made up of people who have a vital need to be looked at by many known eyes. They are the tireless hosts of cocktail parties and dinners. They are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. This happens to nearly all of them sooner or later. People in the second category, on the other hand, can always come up with the eyes they need. Marie-Claude and her daughter belong in the second category.

Then there is the third category, the category of people who need to be constantly before the eyes of the person they love. Their situation is as dangerous as the situation of people in the first category. One day the eyes of their beloved will close, and the room will go dark. Tereza and Tomas belong in the third category.

And finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. They are the dreamers. Franz, for example. He traveled to the borders of Cambodia only for Sabina. As the bus bumped along the Thai road, he could feel her eyes fixed on him in a long stare. — Milan Kundera, The Unbearable Lightness of Being